One Piece Rubber Case and Strap Buckle Clasp Black Digital Display Day, Date, Hours, Minutes, and Seconds Electro Luminescent Backlight Polished Stainless Steel Pushers Water Resistant to 30 Meters 31mm Case Width 10mm Case Thickness Battery Type: SR1120SW
Silver-Tone Matte Aluminum Case with Orange Matte Aluminum Pushers Genuine Leather Strap with Matching Matte Aluminum Buckle Orange Digital Background with Dark Gray Digital Numeric Display Polished Stainless Steel Case Back Time, Seconds, Date Water Resistant to 30 Meters (100 Feet) Quartz Movement Battery Type: E371 37mm Case Width
The Swiss Army ST-5000 Digital Compass Watch features exclusive patent pending technology, with a digital compass that remembers your desired heading and an LED color light system that shows heading accuracy and magnetic north The digital compass shows your current heading and remembers your desired heading The rotating compass indicates cardinal points, intermediate compass points and 360 degrees 50 Meters Water Resistant, suitable for swimming or showering LED backlight for low-light visibility Luminous hands and numerals High-tech titanium case with screw-in caseback is lighter than stainless steel Comfortable rubber strap Hardened mineral crystal is scratch resistant and has an anti-reflective coating to help eliminate glare when reading the watch Made in Switzerland with precision Swiss analog quartz movement
Stainless Steel Case and Bracelet Analog-Digital Dial Non Rotating Bezel with Markers 1/100th Second Stop Watch records elapsed time up to 10 Hours Digital Tachymeter up to 999mph, km/hr, or knots/hr Distance Setting: 0.01-99.99 Miles, Kilometers, or Nautical Miles Enhanced 100 Lap Memory Lap Time Average Lap/Split Speed Times 999 Lap Counter Daily Alarm Day, Date, Month Calendar EL Backlight with 3 Second Delay Luminous Hands and Markers Screw-Down Case Back Hardlex Mineral Glass Crystal Battery Life Approximately 2 Years 100 Meters Water Resistant 43mm Case Width (Approximately 1 6/8")
Made in Switzerland with precision Swiss analog/digital quartz movement Stainless Steel case with screw-in caseback Date Chronograph function Alarm Function Unidirectional rotating bezel Luminous hands and hour markers for visibility in the dark Mineral crystal for scratch resistance Water resistant to 10 ATM (100 meters - 330feet) Swiss Army Brand insignia at 12 o'clock
Stianless Steel Case with Black Accents Negative Digital Display World Time: 39 Cities Alarms: 5 Daily Alarms, 30 Scheduled Alarms with User Programmable 14-Character Message 1/100th Second Chronograph Records Elapsed Time up to 100 Hours 100 Lap/Split Time with Memory Recall Countdown Timer Scrolling Display Mode Dual Color LED Backlight Power Saving Function Mineral Glass Crystal Water Resistant to 100 Meters (330 Feet) Stainless Steel Bracelet feature a Push Button Release Fold Over Clasp Battery Life: Approximately 2 Years 44mm Case Width (Approximately 1 3/4")
1/100 Second Chronograph measures up to 24 Hours Split Second Accuracy Sound Signal when Time is up 60 Minute Countdown Timer Daily Alarm Dual Time Digital Month, Day, and Date One-Way Rotating Bezel Electro-Luminescent Backlight Stainless Steel Case and Bracelet with both Brushed and Polished Accents Mineral Glass Crystal Fold Over Safety Clasp with Push Button Water Resistant to 100 Meters Quartz Movement, Battery #SR927W 40mm Case Width not including crowns (about 1 5/8 inches)
The new Chrono Classic XLS MT has brought a modern twist to the class, time-honored design. Combining analog and digital technology this watch provides a variety of features and functions. Black PVD Coated Stainless Steel Case and Bracelet Analog-Digital Swiss Quartz Movement Luminous Hands and Markers Anti-Reflective Sapphire Glass Crystal Digital Display Day/Date, Perpetual Calendar in English, French, German and Spanish 1/100th of a Second Chronograph with Split Time Functions Count Down Timer with Alarm Alarm Dual Time Low Battery Warning Digital LCD diplays can also show the time in hours, minutes, and seconds Bracelet features a Safety Deployment Clasp with Push Button Release 45mm Case Width (Approximately 1 7/8")
Brushed Stainless Steel Case Analog and Digital Display Analog: Hours, Minutes, Seconds Digital: Hours, Minutes, Seconds, am/pm, Month, Date, and Day, 12/24 Hour Formats Auto-Calendar, DOES NOT calculate Leap Years Luminous Hands and Markers, NO Backlight for Digital Display Bi-Directional Rotating Bezel Water Resistant to 100 Meters (330 Feet) Stopwatch Measuring Capacity: 59:59:99 Measuring Unit: 1/100th of a Second Measuring Modes: Normal Time and Net Time Daily Alarm Hour Time Signal Dual Time Battery: SR920W Battery Life: Approximately 2 Years 44mm Case Width (Approximately 1 3/4") 12mm Case Thickness (Approximately 1/2")
Brushed Stainless Steel Case Analog and Digital Display Analog: Hours, Minutes, Seconds Digital: Hours, Minutes, Seconds, am/pm, Month, Date, and Day, 12/24 Hour Formats Auto-Calendar, DOES NOT calculate Leap Years Luminous Hands and Markers, NO Backlight for Digital Display Bi-Directional Rotating Bezel Water Resistant to 100 Meters (330 Feet) Stopwatch Measuring Capacity: 59:59:99 Measuring Unit: 1/100th of a Second Measuring Modes: Normal Time and Net Time Daily Alarm Hour Time Signal Dual Time Battery: SR920W Battery Life: Approximately 2 Years 44mm Case Width (Approximately 1 3/4") 12mm Case Thickness (Approximately 1/2")
Brushed Stainless Steel Case Analog and Digital Display Analog: Hours, Minutes, Seconds Digital: Hours, Minutes, Seconds, am/pm, Month, Date, and Day, 12/24 Hour Formats Auto-Calendar, DOES NOT calculate Leap Years Luminous Hands and Markers, NO Backlight for Digital Display Bi-Directional Rotating Bezel Water Resistant to 100 Meters (330 Feet) Stopwatch Measuring Capacity: 59:59:99 Measuring Unit: 1/100th of a Second Measuring Modes: Normal Time and Net Time Daily Alarm Hour Time Signal Dual Time Battery: SR920W Battery Life: Approximately 2 Years 44mm Case Width (Approximately 1 3/4") 12mm Case Thickness (Approximately 1/2")
Brushed Stainless Steel Case and Bracelet Analog and Digital Display Analog: Hours, Minutes, Seconds Digital: Hours, Minutes, Seconds, am/pm, Month, Date, and Day, 12/24 Hour Formats Auto-Calendar, DOES NOT calculate Leap Years Luminous Hands and Markers, NO Backlight for Digital Display Bi-Directional Rotating Bezel Water Resistant to 100 Meters (330 Feet) Stopwatch Measuring Capacity: 59:59:99 Measuring Unit: 1/100th of a Second Measuring Modes: Normal Time and Net Time Daily Alarm Hour Time Signal Dual Time Battery: SR920W Battery Life: Approximately 2 Years 44mm Case Width (Approximately 1 3/4") 12mm Case Thickness (Approximately 1/2")
This new Promaster Atomic combines the best features of the Skyhawk AT and the Promaster Carbon series to create a flight chronograph with a rugged carbon fiber bezel, atomic accuracy and world time in 43 cities Stainless Steel Case and Bracelet Atomic Timekeeping with Radio Controlled Accuracy Citizen Eco-Drive Solar Power Technology never needs a battery 180 Day Power Reserve; 2.5 Year Power Reserve with Power-Save Function World Time in 43 Cities 2 Alarms 1/100 Second Chronograph Measures up to 24 Horus 99 Minute Countdown Timer Perpetual Calendar Digital Display Light Greenwich Mean Time Display One-Way Rotating Elapsed Time Carbon Fiber Bezel Non-Reflective Mineral Glass Crystal Power Reserve Indicator Water Resistant to 200 Meters (660 Feet) Bracelet features a Fold-Over Safety Clasp with Push-Button Release 44mm Case Width (Approximately 1 3/4") 15mm Case Thickness (Approximately 5/8")
The PAG40B-2V improves on the basic PATHFINDER concept by providing altitude measurements up to 10,000 meters and other improved functions, plus a larger display panel with a dual-level display screen indicates direction readings by a pointer that seems to float above other display data. The result is more information in a format that is easier to read. In addition, direction, and altitude/barometric pressure readings can be triggered by pressing a single button, providing the information you need the instant you need it. Tech Specs: Electro-luminescent backlight- auto light switch afterglow Low Temperature Resistant (-10°C/14°F) Digital compass Altimeter/Barometer Thermometer 1/100 Second Stopwatch Five Independent Daily Alarms Hourly Time Signals Auto-Calendar (to year 2039) 12/24 hour formats Regular timekeeping Accuracy: ±15 seconds per month Case Size approx 2" wide by 3/4" thick. Flexible polymer rubber strap is comfortable and durable. Approx. battery life: 18 months on SR927Wx4
The PAG40B-2V improves on the basic PATHFINDER concept by providing altitude measurements up to 10,000 meters and other improved functions, plus a larger display panel with a dual-level display screen indicates direction readings by a pointer that seems to float above other display data. The result is more information in a format that is easier to read. In addition, direction, and altitude/barometric pressure readings can be triggered by pressing a single button, providing the information you need the instant you need it. Tech Specs: Electro-luminescent backlight- auto light switch afterglow Low Temperature Resistant (-10°C/14°F) Digital compass Altimeter/Barometer Thermometer 1/100 Second Stopwatch Five Independent Daily Alarms Hourly Time Signals Auto-Calendar (to year 2039) 12/24 hour formats Regular timekeeping Accuracy: ±15 seconds per month Case Size approx 2" wide by 3/4" thick. Blue Nylon strap is comfortable and durable. Approx. battery life: 18 months on SR927Wx4
Stianless Steel Case with Black Accents Negative Digital Display World Time: 39 Cities Alarms: 5 Daily Alarms, 30 Scheduled Alarms with User Programmable 14-Character Message 1/100th Second Chronograph Records Elapsed Time up to 100 Hours 100 Lap/Split Time with Memory Recall Countdown Timer Scrolling Display Mode Dual Color LED Backlight Power Saving Function Mineral Glass Crystal Water Resistant to 100 Meters (330 Feet) Black Rubber Strap with Buckle Clasp Battery Life: Approximately 2 Years 44mm Case Width (Approximately 1 3/4")
Analog/Digital Display Shock Resistant 200M Water Resistant Magnetic Resistant* EL Backlight with Afterglow Dual Time Daily Alarm 1/100 Second Stopwatch Measuring capacity: 23:59'59.99" Measuring unit: 1/100 second (for the first 60 minutes) 1 second (after 60 minutes) Measuring mode: Elapsed time Auto Calendar (pre-programmed until the year 2039) 12/24 Hour Formats Accuracy +/- 15 seconds per month Battery CR2016 Approx. battery life: 3 years Module 2327 *Though this watch is designed to withstand exposure to magnetic force, you should still keep it away from machinery and appliances that generate a strong magnetic field. Exposure to stong magnetism can cause timekeeping to slow, affecting timekeeping accuracy Size of case/total weight49.6 x 47.8 x 15.7mm / 59g (Approximately 1 13/16" Wide by 1/2" Thick)
The toughness of G-Shock in a smaller form factor, great for women and youngsters. Translucent pink synthetic resin Shock Resistant 100 meter water resistant Auto Electro-luminscent backlight with afterglow 1/100 second stopwatch Alarm Hourly time signal Auto-calendar ( pre-programmed until the year 2039) 12/24- hour formats
The toughness of G-Shock in a smaller form factor, great for women and youngsters. Translucent clear synthetic resin Shock Resistant 100 meter water resistant Auto Electro-luminscent backlight with afterglow 1/100 second stopwatch Alarm Hourly time signal Auto-calendar ( pre-programmed until the year 2039) 12/24- hour formats
Multi-Band Atomic Timekeeping (US, UK, Germany, Japan) Receives time calibration radio signals which keep the displayed time accurate Auto receive function (6 times per day) Manual receive function Signal: US WWVB, UK MSF, Germany DCF77, Japan JJY40/JJY60 Frequency: US 60kHz, UK 60kHz, Germany 77.5kHz, Japan 40/60kHz Tough Solar Power Shock Resistant 200M Water Resistant Auto EL Backlight with Afterglow World Time: 29 times zones (48 cities), city code display, Daylight saving on/off 5 Daily Alarms (1 with snooze) Countdown Timer Measuring unit: 1/10 second Countdown range: 1 minute to 60 minutes 1/100 second stopwatch Measuring capacity: 999:59'59.99" Measuring modes: Elapsed time, split time, 1st-2nd place times Hourly Time Signal Auto Calendar (pre-programmed until the year 2099) 12/24 Hour Formats Accuracy: ±15 seconds per month (with no signal calibration) Storage Battery CTL1616 Battery Power Indicator Power Saving Function Approx. battery life: 9 months on full charge (without further exposure to light) Module 3061 Size of case/total weight: GW800 51.5 x 42.5 x 13.9mm / 56g
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DUSK TV - Interactive Rear Projection Store Front
what is digital projection?
... sounds like flipping someone off.
Ok bad joke...
Digital projection is when you have a nice new video projector. They use digital projection to give a nice clean display.
My experience has been a bit different. I saw Up and Avatar in 3D, and would've gladly paid a couple extra bucks for it – I felt that both were intensely enjoyable to look at with the stereo projection. A lasting impression, for me, for sure. Now of course, alot of the visual beauty of Up will still be there if I get it on Bluray or whatever, and much of that film's appeal is its surprising emotional impact. But with Avatar, my enjoyment came almost exclusively because of the tech and 3D, and I can't imagine spending my money to see it at home or in 2D – all the enjoyment for my buck would be gone, unless I was watching it with a RiffTrax.
But to clarify where I'm sitting… I don't think his graphs show a decline in sales – they're all graphs of a decline in profitability, right? I'm not arguing that we can't see the downward trend, I'm saying that pinpointing it just on 3D isn't warranted by his argument. There's a host of influencing reasons or causes, some of which I mentioned, and we haven't even gone outside-the-industry for other factors, like the economy.
Lastly, to address your point of view and experience with knowing movies are in 3D because of deciding on your ticket price:
I think you're right, when it comes to folks like you and me, but I'm not convinced that it's true of the wider audience of movie-goers. Anecdotaly, every time I see movies with friends, the ONE thing they look at to decide which ticket to buy is the screening time. They don't notice that they have an option of projection (digital or not), they don't tend to notice “Director's Hall” or premium screens, they just pick the time they want and will then pay whatever the box office asks for that screening. If I don't point out the options available or voice my preference, we'd just get tickets for whatever preferred screening time they have and swipe our plastic. So I really do think it's possible to make the case that alot of people have no idea that certain movies are in 3D if they don't put that big stupid “3D!” in the title.
Good post on Jeff Wall, his work and his practice. I'm grateful if you can leave (or email) some pointers on where to find more on the equipment he uses and on his printing techniques (esp. his method for the very large, light box-mounted transparencies. I'm also curious about other “print” techniques Wall might use or be experimenting with: projection, digital-to-on-screen, or more traditional media like screen-printing or gravure.
Perhaps I didn’t make myself clear – the systems in the 50s and 80s were entirely built around film and film processing. The vibrations and processing issues can build up between filming and projecting of the final film to provide a match between the two eyes that is simply less ideal than the digital process. You cannot deny that digital projection is more solid than film projection. Digital 3D projection is simply far superior to film projection. To deny this is simply being contrary.
My experience has been a bit different. I saw Up and Avatar in 3D, and would've gladly paid a couple extra bucks for it – I felt that both were intensely enjoyable to look at with the stereo projection. A lasting impression, for me, for sure. Now of course, alot of the visual beauty of Up will still be there if I get it on Bluray or whatever, and much of that film's appeal is its surprising emotional impact. But with Avatar, my enjoyment came almost exclusively because of the tech and 3D, and I can't imagine spending my money to see it at home or in 2D – all the enjoyment for my buck would be gone, unless I was watching it with a RiffTrax.
But to clarify where I'm sitting… I don't think his graphs show a decline in sales – they're all graphs of a decline in profitability, right? I'm not arguing that we can't see the downward trend, I'm saying that pinpointing it just on 3D isn't warranted by his argument. There's a host of influencing reasons or causes, some of which I mentioned, and we haven't even gone outside-the-industry for other factors, like the economy.
Lastly, to address your point of view and experience with knowing movies are in 3D because of deciding on your ticket price:
I think you're right, when it comes to folks like you and me, but I'm not convinced that it's true of the wider audience of movie-goers. Anecdotaly, every time I see movies with friends, the ONE thing they look at to decide which ticket to buy is the screening time. They don't notice that they have an option of projection (digital or not), they don't tend to notice “Director's Hall” or premium screens, they just pick the time they want and will then pay whatever the box office asks for that screening. If I don't point out the options available or voice my preference, we'd just get tickets for whatever preferred screening time they have and swipe our plastic. So I really do think it's possible to make the case that alot of people have no idea that certain movies are in 3D if they don't put that big stupid “3D!” in the title.
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jWIN JL707 Projection Alarm Clock Radio Reviews Other products by jWIN Ratting 4.0 Out of 5.0 Special Offer Total New 21 Total Use 1 Read More From Here Now The JL707 from jWIN is an AM/FM projection clock radio. Features include: 180-degree clock projection, Digital alarm clock with 9-minute snooze function, Integrated AM / FM radio, Wake to radio or buzzer, Fall asleep to radio, LED clock display , Built-in speaker Technical Details – AM/FM Projection Alarm clock radio – 180 degree projector – Large LED display – Snooze alarm – Sleep to music See more technical details "What a great idea" 2010-01-31 By Sundown This is one of the best gadgets we’ve purchased in a while. If you wake up in the middle of the night, wonder what time it is, and have to twist your neck to see an alarm clock on a table, this is for you. All you have to do is look up at the ceiling and there, in big red numbers, is the time. We like it so much we’re buying another one for the guest bedroom. "Disappointing at…
About Me
Hi, JT here. I recently received a Projection Alarm Clock as a gift and thought that it was just the coolest thing ever. I've started giving them to friends and thought I'd do a little research and put a site together about Projection Clocks and Atomic Clocks. I hope you enjoy!
Hi, JT here. I recently received a Projection Alarm Clock as a gift and thought that it was just the coolest thing ever. I've started giving them to friends and thought I'd do a little research and put a site together about Projection Clocks and Atomic Clocks. I hope you enjoy!
6 Comments
Perhaps..
My experience has been a bit different. I saw Up and Avatar in 3D, and would've gladly paid a couple extra bucks for it – I felt that both were intensely enjoyable to look at with the stereo projection. A lasting impression, for me, for sure. Now of course, alot of the visual beauty of Up will still be there if I get it on Bluray or whatever, and much of that film's appeal is its surprising emotional impact. But with Avatar, my enjoyment came almost exclusively because of the tech and 3D, and I can't imagine spending my money to see it at home or in 2D – all the enjoyment for my buck would be gone, unless I was watching it with a RiffTrax.
But to clarify where I'm sitting… I don't think his graphs show a decline in sales – they're all graphs of a decline in profitability, right? I'm not arguing that we can't see the downward trend, I'm saying that pinpointing it just on 3D isn't warranted by his argument. There's a host of influencing reasons or causes, some of which I mentioned, and we haven't even gone outside-the-industry for other factors, like the economy.
Lastly, to address your point of view and experience with knowing movies are in 3D because of deciding on your ticket price:
I think you're right, when it comes to folks like you and me, but I'm not convinced that it's true of the wider audience of movie-goers. Anecdotaly, every time I see movies with friends, the ONE thing they look at to decide which ticket to buy is the screening time. They don't notice that they have an option of projection (digital or not), they don't tend to notice “Director's Hall” or premium screens, they just pick the time they want and will then pay whatever the box office asks for that screening. If I don't point out the options available or voice my preference, we'd just get tickets for whatever preferred screening time they have and swipe our plastic. So I really do think it's possible to make the case that alot of people have no idea that certain movies are in 3D if they don't put that big stupid “3D!” in the title.
Gadget Digest – Star Wars R2D2 droid projection digital clock –
Good post on Jeff Wall, his work and his practice. I'm grateful if you can leave (or email) some pointers on where to find more on the equipment he uses and on his printing techniques (esp. his method for the very large, light box-mounted transparencies. I'm also curious about other “print” techniques Wall might use or be experimenting with: projection, digital-to-on-screen, or more traditional media like screen-printing or gravure.
Thanks in advance-
Perhaps I didn’t make myself clear – the systems in the 50s and 80s were entirely built around film and film processing. The vibrations and processing issues can build up between filming and projecting of the final film to provide a match between the two eyes that is simply less ideal than the digital process. You cannot deny that digital projection is more solid than film projection. Digital 3D projection is simply far superior to film projection. To deny this is simply being contrary.
Perhaps..
My experience has been a bit different. I saw Up and Avatar in 3D, and would've gladly paid a couple extra bucks for it – I felt that both were intensely enjoyable to look at with the stereo projection. A lasting impression, for me, for sure. Now of course, alot of the visual beauty of Up will still be there if I get it on Bluray or whatever, and much of that film's appeal is its surprising emotional impact. But with Avatar, my enjoyment came almost exclusively because of the tech and 3D, and I can't imagine spending my money to see it at home or in 2D – all the enjoyment for my buck would be gone, unless I was watching it with a RiffTrax.
But to clarify where I'm sitting… I don't think his graphs show a decline in sales – they're all graphs of a decline in profitability, right? I'm not arguing that we can't see the downward trend, I'm saying that pinpointing it just on 3D isn't warranted by his argument. There's a host of influencing reasons or causes, some of which I mentioned, and we haven't even gone outside-the-industry for other factors, like the economy.
Lastly, to address your point of view and experience with knowing movies are in 3D because of deciding on your ticket price:
I think you're right, when it comes to folks like you and me, but I'm not convinced that it's true of the wider audience of movie-goers. Anecdotaly, every time I see movies with friends, the ONE thing they look at to decide which ticket to buy is the screening time. They don't notice that they have an option of projection (digital or not), they don't tend to notice “Director's Hall” or premium screens, they just pick the time they want and will then pay whatever the box office asks for that screening. If I don't point out the options available or voice my preference, we'd just get tickets for whatever preferred screening time they have and swipe our plastic. So I really do think it's possible to make the case that alot of people have no idea that certain movies are in 3D if they don't put that big stupid “3D!” in the title.
jWIN JL707 Projection Alarm Clock Radio Reviews Other products by jWIN Ratting 4.0 Out of 5.0 Special Offer Total New 21 Total Use 1 Read More From Here Now The JL707 from jWIN is an AM/FM projection clock radio. Features include: 180-degree clock projection, Digital alarm clock with 9-minute snooze function, Integrated AM / FM radio, Wake to radio or buzzer, Fall asleep to radio, LED clock display , Built-in speaker Technical Details – AM/FM Projection Alarm clock radio – 180 degree projector – Large LED display – Snooze alarm – Sleep to music See more technical details "What a great idea" 2010-01-31 By Sundown This is one of the best gadgets we’ve purchased in a while. If you wake up in the middle of the night, wonder what time it is, and have to twist your neck to see an alarm clock on a table, this is for you. All you have to do is look up at the ceiling and there, in big red numbers, is the time. We like it so much we’re buying another one for the guest bedroom. "Disappointing at…